An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
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Renegade vampire assassin Eva has escaped from a secret bio-research compound. Hell bent on revenge she learns a terrible secret that may force her to unite with the devil she knows in order to defeat the greatest of all evils.
Jane, with plain looks but a heart of gold, is always in between jobs. Once she gets a job, her knack for creating awkward situations immediately loses it for her. Ricky is her suitor, but he gets nowhere as the girl has no time for love. So Ricky goes along with her in job hunting. Somehow, Jane lands on a job as governess. Not to a child, but to an uncouth very old, very rich man who still wants to lead the life of his poor, uncivilized youth. His son is now running the old man’s millions. He wants to bring up the father the civilized way. And he wants to take over the whole city through take-over deals. He is ruthless and has thrown thousands into the streets.
A group of people meet for the first time in a long time and play a game that reveals each other’s secrets.
Mozart’s Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey’s Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she’s supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.
In the summer of 1982, as all of Staten Island anticipates the opening of a blockbuster boxing movie, an Italian-American family must confront its greatest challenges.
Santa is allergic to cats, so he has a policy against delivering them as gifts, but little Tommy has been SO good, and all he wants is one small kitty. Santa says OK, but instead of one, the whole litter climbs into the sack. When Santa has a major allergic reaction, the kittens have to take over and deliver the presents on time.
Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.
Legend has it that a brisk wind called the “Faun” delivers vigor to the men of Falklenhousen – accounting for the town’s satisfied wives and high birth rate. Truth is, when the men are away, their voluptuous wives play!
When Guy Simms is yanked out of his mundane routine mopping floors at the gay cabaret and accused of burning down the evangelical church by the town preacher, Guy overcomes his fear of authority to prove his innocence in this sardonic film about Leathermen, the Bible and fighting for freedom.
A single mother and her slacker sister find an unexpected way to turn their lives around in the off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business – a biohazard removal/crime scene clean-up service.
Kei Kikuno attends a vocational school as a student. For her part-time job, she works as a contract killer. She is excellent at her job and never gets scared by anyone. One day, she receives the most challenging request.
A film in three parts: a man talking while a telephone rings, a walking tour of New York, and a goldfish swimming.