While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed “Yanco”. This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

A “behind-the-scenes” insight of the Romanian wedding industry, with cameramen, photographers and singers from all around the country in the spotlight. Their life stories, their editing styles, their hands-on-approach know-how and, of course, their performances at weddings, mix up in a shortcut-style film. George Stirbat, the 30-something one-man-show singer from the small town of Onesti returned home after a mini-Broadway career and Petru Manici, the coal mine electrician from the mining town of Petrosani, are just two of the most interesting characters the film follows in their quest to achieve perfection for the bride’s and groom’s memories. Something to remember.

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.

The theory of Bigfoot being an alien creature has been a theory for many years. Could Bigfoot just be an alien from another dimension?

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Explores contemporary Australian hip hop through intimate and candid observations of some of the nations most potent and compelling artists.

In 1984—before cell phones, the web, and reality TV, a young director set out to document a year in the life of a typical California high school. The result was “All American High”, an unusually honest and humorous look at 80’s teen life. Told through the eyes of a visiting foreign exchange student, the film presents an uncensored view of senior year in the era of big hair, punks and parachute pants. Thirty years after they lived it, some of the film’s original subjects return in new interviews, revisiting one of the most memorable chapters in their lives.

Family, friends and the people who know her best talk candidly about Britainandapos;s most private royal.

For-profit nursing homes get billions of dollars from taxpayers every year, while problems like understaffing and infection outbreaks never seem to go away. VICE News investigates how one company has gamed the system to hide its p…

Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event

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Galvanized by the number of white women who voted for Donald Trump, two women of colour envision what unity looks in the United States. But instead of marching through the streets, they take a different approach. Race2Dinner was born, an afternoon of wining, dining and honest conversations about white supremacy and unconscious biases that white women live by. Navigating everyday privileges and cultural differences, the bold intervention changes minds and opens eyes for some, while others turn away because it is too hard. Everything is on the table to eat and unpack, but there is only one rule: no crying at the dinner table.