Two former enemies find themselves together on a cattle drive and fighting marauding Apaches and Mexican bandits.
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The life of peaceful rancher John Benedict is torn apart when his family is massacred by a gang of marauding outlaws and his farm is destroyed. He assembles a team of mean, lawless convicts to act as his posse as he pursues the gang responsible for the deaths of his loved ones.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
The Texas Rangers chase down a gang of outlaws led by Butch Cavendish, but the gang ambushes the Rangers, seemingly killing them all. One survivor is found, however, by an American Indian named Tonto, who nurses him back to health. The Ranger, donning a mask and riding a white stallion named Silver, teams up with Tonto to bring the unscrupulous gang and others of that ilk to justice.
A woman seeking revenge for her murdered father hires a famous gunman, but he’s very different from what she expects.
Deputy United States Marshal Bass Reeves reunites with his former partner turned fugitive Sam Tanner. Reeves and Tanner are in a race against time as they track Jack Donner and his vicious outlaw gang of killers to the oil-rich Texas town of Corsicana.
The story of Henry McBride, a down and out cowboy with a painful past he can’t drink away. Living on his last dollar with nowhere to go, he ends up working the last place an old cowboy wants to be: A dude ranch. It is here he meets the owner, Jessie King, a no-nonsense rancher with a deep love for horses. McBride’s self-discovery begins when she introduces him to a new way of training a troubled mustang, a horse whose past and temperament mirror his own.
Two men who have been friends since childhood find themselves on opposite ends of the law.