After Bruce and Laura Gunther return from their anniversary trip to Italy, Bruce realizes he is Patient Zero in bringing the Coronavirus to the ones he cares about most – his own family. Suffering from all the effects of his actions, Bruce must come to terms with this devastation before it consumes him and his family.
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Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas’s hidden personality?
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When James Downey returns home to Newfoundland for his mother’s funeral, he is faced with all the haunting family issues he thought he had left behind. He channeled his own inner demons from an abusive father into being a police officer but his cousin Danny’s childhood trauma has exploded into a cycle of drugs, crime and violence. James must confront his tortured past, decide who he really is, and deal with his cousin before it’s too late.
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