Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn’t live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.

This documentary captures Elvis Presley on his 1972 American tour and includes rehearsals, interviews, archival television appearances and backstage moments. With Elvis at his most flamboyant, the film features well-known hits and cover songs showcasing his country, gospel and rhythm-and-blues influences.

This documentary places the Bush Administration’s original justifications for war in Iraq within the larger context of a two-decade struggle by neo-conservatives to dramatically increase military spending while projecting American power and influence globally by means of force.

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Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that’s not the story. All Things Must Pass is a feature documentary film examining this iconic company’s explosive trajectory, tragic demise, and legacy forged by its rebellious founder, Russ Solomon.

Steve ‘Spaz’ Williams is a pioneer in computer animation. His digital dinosaurs of Jurassic Park transformed Hollywood in 1993, but an appetite for anarchy and reckless disregard for authority may have cost him the recognition he deserved.

Behind the walls of a forbidden city, the only thing more dangerous than its secrets is the truth.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie’s male alter-ego, “Male Jamie,” and Jill, a heterosexual woman on set. The film’s subplots include Jamie’s bisexual roommate Lola and her cat actor Howard, Lola’s abrasive butch German girlfriend Andi, and Jamie’s gay Asian friend David.

Chronological look at the life and career of Johnny Carson (1925-2005), with commentary from an ex-wife and more than 30 fellow comedians, friends, employees, and biographers. The biography defines why Carson was an enduring star (his cool, his timing, his genuine laugh, his breadth of knowledge) and pursues his motivations and inner self (a loner with a drinking problem, a decent Midwesterner whose mother withheld approval, a quiet person who loved to entertain). The key to understanding him, argues the biography, is his love of magic.

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In this chilling documentary about the power of addiction, three friends take their fourth longtime pal Bryant “HairKutt” Johnson to a remote cabin in the Tennessee woods, hoping to force him to kick his heroin habit. The group must cut short their trip when HairKutt’s body begins to fail without the drug, and after rushing him to a hospital, the friends are dismayed to find that he quickly returns to his old ways.