Lieutenant Ted Jackson spends his lat day on active duty in the Navy disarming an underwater mine. While disarming the explosive he sees what appears to be a sunken ship. Overcome with curiosity, he investigates and finds a treasure chest filled with what he thinks are Spanish gold coins.

Single mum Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.

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A unique visual and musical experience based on the Gospel of John. Originally a Passion play, it freely blends elements of stage and cinema, creating a fresh take on this well known story.

Music By Andre Rieu and his Johann Strauss Orchestra

Filmed at Sheperd’s Bush Empire, the soulful singer from Camden and her band perform songs from both her debut album “Frank” and the international breakthrough “Back to Black”. Over the sixty-minute running time, Winehouse also covers classics such as Zuton’s “Valerie” and “Monkey Man” by the Maytals. Also included is ‘I Told You I Was Trouble’, a 50-minute documentary charting Amy’s rapid rise to fame.

Portishead concert in the Roseland Ballroom, New York City, on the 24th July 1997 with tracks from the albums “Dummy” and “Portishead” played by the band and a 30 piece orchestra.

When “Take On Me” reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.

A documentary on Blossoms. – The British indie quintet. This intimate biographical documentary takes a look at life in the band as they prepare to play a homecoming show at Edgeley Park, Stockport.

Alabama preacher’s daughter runs off with a touring Xian hair metal band during the summer of 1986.

Two young people who do not know each other but sweat for the same purpose, do not stop believing in themselves even for a moment and find each other with the unifying power of music.

In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.