Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten-year-old daughter, Judy, and her friends.
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Best friends Amélie, Bintou and Morjana spend their summer hanging out with the other neighborhood teenagers. At night, they have fun sharing scary stories and urban legends. But when Amélie is assaulted by her ex, she remembers the story of Kandisha, a powerful and vengeful demon found in Moroccan folklore. Afraid and upset, Amélie summons the spirit. The next day, her ex is found dead. The legend is true, and now Kandisha is on a killing spree.
Madea and the gang encounter monsters, goblins and boogeymen at a haunted campground.
A top secret experiment intended to produce a superhuman has gone terribly wrong. Now the creators, trapped in a remote desert outpost, are being pursued ruthlessly by their creation. With the door sealed from within, there is no way out.
Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.
Emily, a troubled spirit, haunts her own house every day, wondering why she can’t leave. With the help of Sylvia, a clairvoyant hired to rid the house of spirits, Emily is forced into a ‘patient/therapist’ relationship, uncovering disturbing mysteries about her past that may help her move on to ‘the next place
Casey must survive the night after a group of intruders, led by Rose break into her family’s home to steal their priceless artwork.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknown to him, the real culprits are the living dead, brought to life with a thirst for human flesh after government officials conduct pest control experiments using subsonic waves in the area.
A group of teenagers look to have the best Spring Break party ever before going off to college. However, when party goers start to die, who’s to blame? Themselves? Or the demon they summoned? Charlie’s evil spirit creeps in and hands out the ultimate test of survival. Can the kids escape Charlie’s grasp? Can they figure out a way to free themselves from his evil game? One night, one house, one chance at survival..
Julia (Trish Everly, in her only film role), a young teacher for deaf children living in Savannah, Georgia. Julia has horrid memories of her childhood, which was scarred by her sadistic twin sister Mary (Allison Biggers). At the urging of her uncle, Father James, Julia visits Mary, suffering from a severe skin disease, in a mental institution. The meet does not go well, and Mary vows to make Julia “suffer as she had suffered”. As their mutual birthday approaches, several of Julia’s friends and neighbors begin to die gruesome deaths, some of which committed by a mysterious Rottweiler dog that has some sort of connection to Mary. But is Mary really the killer?
The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike Roscoe, and enjoy ‘being’ the younger man. But Estelle soon grows to love the power of controlling Roscoe, and the vicarious pleasures that provides. How far will she go, and can the Professor restrain her in time?
