A man with the ability to enter peoples’ memories takes on the case of a brilliant, troubled sixteen-year-old girl to determine whether she is a sociopath or a victim of trauma.
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April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
Follow Phoebe, her older sister Becks, younger brother Perry and their mum who are living a comfortable life in Glasgow when suddenly they are uprooted from their lives and moved to the remote highlands of Scotland.
A flight attendant and her boyfriend must steal a cache of diamonds to clear an old debt — but the plan spins into a mayhem when the plane gets hijacked.
Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a “fallen woman”, which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it’s a race against time to escape this claustrophobic death trap.
Jim is preparing for his first professional fight but begins to rethink his life’s trajectory and his sexuality after tangling with Whetu, a gay Maori boy who spends his days in an old shack down by the beach.
Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka finally finds a home as a Muraoka family hitman and falls in love with boss Muraoka’s niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo draws our series’ hero, Shozo Hirono, and the other yakuza into a new round of bloodshed.
The story of The Empire of Corpses takes place in 19th century Europe, and revolves around John Watson. He is scouted by the government to become a secret agent- However, Watson lives in a world where “Frankensteins”- human corpses that are re-purposed with a false soul in order to use them as laborers- are used to improve industrial development.
A film inspired by the life and work of Nelly Arcan. The portrait of a fragmented woman, lost between irreconcilable identities: writer, lover, call girl and star. Several women in one, navigating between great exaltation and great disenchantment. A film mirror of a violent life and a radical work; a tribute to a dense writing, chilling and necessary.
Recent college graduates joyride in a stolen cop car only to uncover a secret that will doom mankind.