Animusic draws you into its reality like no place you have ever been. You encounter new dimensions of sight and sound as you experience seven unique visual concerts. From the robotic laser-precision of Future Retro and rapid-fire ball bearings of Pipe Dream to the serene acoustic beauty of Aqua Harp, each animation is an intricate melding of music and visuals.
You May Also Like
With dreams of diving abroad, Tsuneo gets a job assisting Josee, an artist whose imagination takes her far beyond her wheelchair. But when the tide turns against them, they push each other to places they never thought possible, and inspire a love fit for a storybook.
A street-wise teen from Baltimore who has been raised by a single mother travels to New York City to spend the Christmas holiday with his estranged relatives, where he embarks on a surprising and inspirational journey.
Scooby-Doo and Shaggy must go into the underworld ruled by the Goblin King in order to stop a mortal named The Amazing Krudsky who wants power and is a threat to their pals, Fred, Velma and Daphne.
During World War II, an orphaned young girl seeks to survive and perhaps even help resistance fighters battle the Nazis.
Prologue depicts Spartan and Athenian warriors locked in a gory battle to the death.
Maria Callas, the world’s greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
Frankie Dymon’s Death May be Your Santa Claus (1969), arguably Britain’s first and only example of a ‘black power’ movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg’s Performance, Godard’s Sympathy for the Devil in which Dymon played a leading role, or Boorman’s Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a ‘pop fantasy’ and offers an intriguing look at 60s sex and politics from a black British perspective.
Shaun’s seasonal excitement turns to dismay when a farmhouse raid to get bigger stockings for the flock inadvertently leads to Timmy going missing. Can Shaun get Timmy back before he becomes someone else’s present?
