Based on a stranger than fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. A young Sean Paul Lockhart (using the stage name ‘Brent Corrigan’) is a fresh-faced wannabe adult video performer. He is moulded into a star by Stephen (aka Bryan Kocis), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for money put him at odds with his boss, he also attracts the attention of a rival producer, Joseph Kerekes, and his unstable lover, Harlow Cuadra, who will stop at nothing to squash Cobra Video and steal its number one star.

Domino: Battle of the Bones is a feel-good comedy about an elderly black man who teams up with his awkward, white step-grandson to defeat his rival in a domino tournament.

A young Texas good ol’ boy has a knack with electronic equipment, and that talent gets him a job as a roadie with a raucous traveling rock-and-roll show.

A playwright whose marriage and career are in a free fall has an explosive run-in with his former neighbor, a right-wing ex-con.

A woman—pregnant after a one-night stand with her awkward neighbor—sleeps with a businessman to pass off the baby as his.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

After crashing his car, a cop who’s recovering from eye surgery recruits an Uber driver to help him catch a heroin dealer. The mismatched pair soon find themselves in for a wild day of stakeouts and shootouts as they encounter the city’s seedy side.

With his life already in shambles — his girlfriend just dumped him, he’s lost his acting gig, and his cat is seriously ill — sad-sack Jimmy Zoole (Steve Guttenberg) comes home New Year’s Eve to find a gay burglar (Lombardo Boyar) looting his apartment. Taking the intruder hostage, Jimmy threatens to unleash his pent-up rage on the would-be thief but instead begins to bond with his captive.

Live musical performances by a star-studded cast will be interwoven into the broadcast of the animated classic.

In the middle of a performance at la Comédie-Française, an actor dies on stage, poisoned. Martin, member of the troupe and friend of the victim, becomes the center of everyone’s attention. Suspected by the police, he’s also chased by a mysterious organization, Le Parfum vert, that seems to have ordered the murder.

Alexandre Taillard de Vorms is a force to be reckoned with. With his silver mane and tanned, athletic body, he stalks the world stage as Minister of Foreign Affairs for France, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity, and efficacy. Enter Arthur Vlaminck. Hired to write the minister’s speeches, Arthur must contend with the sensibilities of his boss and the dirty dealings within the Quai d’Orsay, the ministry’s home.

Sara invites her ex-husbands and their new families to celebrate Christmas with her and her husband Janne. Sara has always wanted to have a baby with Janne, and at the dinner table she reveals the news: she’s pregnant. The only problem is that Janne had a vasectomy two years ago, without Sara knowing it. The secret starts to spread among the guests, and in no time everyone knows but Sara. The party heads for a complete disaster. Who’s the real father?