A portrait of Beyoncé strips away the veneer of stardom to display the extraordinary gifts that have made this 16-time Grammy®-winner, entrepreneur and actress a global phenomenon.

When “Take On Me” reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.

A documentary concerning the violent Italian ‘poliziotteschi’ cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

1997 documentary, part of the Taiwan-produced series “Personal Memoir of Hong Kong”, is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.

Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

From filmmaker Dawn Porter (who earlier this year directed “John Lewis: Good Trouble”), the film explores the remarkable journey of Jordan from modest Southern origins to national renown as a pioneering attorney, businessman, civil rights leader, and as a fixture (could one also say a “fixer?”) on the DC scene. Jordan’s story is told principally through a chronological narration of his life and accomplishment, most of it taken from recent (2019) interviews with and narration by Jordan himself. His early life in Atlanta is limned, where Jordan describes the treasured influence of his mother Mary and his early academic successes (including a law degree from Howard University). His activities in the civil rights movement in the 1960’s and 1970’s are highlighted, culminating in his ten-year tenure as director of the Urban League.

portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.

An intimate look at the very public and passionate fight waged by residents and business owners of Brooklyn’s historic Prospect Heights neighborhood facing condemnation of their property to make way for the polarizing Atlantic Yards project, a massive plan to build 16 skyscrapers and a basketball arena for the New Jersey Nets.

After many rumors of an MLS team arriving in Philadelphia never materializing, a small group of soccer fans took matters into their own hands and started a supporters group called the Sons of Ben to help bring a team to their hometown. They were a group without a team to root for and had a modest goal of reaching 100 members by the end of the year. Little did they know they would reach over 1,500 members in less time than that and start a movement that would not only change the soccer landscape in Philadelphia forever, but also help revive a community that had been struggling for decades.

The vaquita, the world’s smallest whale, is nearing extinction as its habitat is destroyed by Mexican cartels and the Chinese Mafia, who harvest the totoaba fish, the “cocaine of the sea.” Environmental activists, the Mexican navy, and undercover investigators are fighting back against this illegal multimillion-dollar business.

An immersion into the rich landscapes of Sable Island and the life of Zoe Lucas, a naturalist and environmentalist who has lived over 40 years on this remote strip of sand.