A fast food clerk’s life spins out of control when he meets a cute but murderous hitchhiker.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Before becoming queen, Uberta lived a humble life with her husband Maximillian when she is suddenly thrust into royalty. Through triumph and tragedy, she learns the lessons needed to become a beloved Queen, all while raising the next generation of rulers. When it’s time for Uberta to pass the royal scepter to Odette and Derek, rival Queen Wixom has plans of her own to ruin the kingdom’s greatest coronation.
Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he’s the great wizard of prophecy, there to save Oz from the clutches of evil.
Emily (Hart) is an ambitious television anchor, aimed at climbing the ranks. When the opportunity to co-host a talk show with the fabulous talk show diva Veronika (Harry) presents itself two weeks before Christmas, she thinks this is her big break. To her surprise, she discovers she has stiff competition with Charlie (Cain), the local TV anchor who is her near equal on another station. With such interest and support for both reporters, a contest is created: for the two weeks leading up to Christmas, who can cover the best and most meaningful Christmas stories on the local news? As they shoot their heartfelt Christmas stories, they realize the top prize is not as important as they once thought. They experience the true meaning of Christmas with the subjects in their news segments – and with each other.
John Form has found the perfect gift for his expectant wife, Mia – a beautiful, rare vintage doll in a pure white wedding dress. But Mia’s delight with Annabelle doesn’t last long. On one horrific night, their home is invaded by members of a satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now… Annabelle.
On The Job is about the ambitions and passions of four men trying to make a living, for themselves and their families. It shows the parallels between two prison inmates who are contract killers, and the two agents of the law investigating the murders. As they get caught in a web of machination of corrupt government officials, their jobs lead them on a head-on collision against each other with their loved ones as collateral damage.
Kate and Matt discover that a part of their house can grant wishes. In the wake of several miscarriages, what they want most is a child.
Takeharu Takami (Ryuhei Matsuda) is a bank teller, but he becomes allergic to money. He decides not to use money at all. Takeharu decides to move to a small village in the Tohoku region. There, he encounters residents who are not so easy.
The daughter of a Scottish farmer comes of age in the early 1900s.
Javi, a perfectly ordinary teenager who doesn’t suspect that his crush on Sara might be reciprocated. Through a string of misunderstandings, Sara comes to believe that Javi is in possession of supernatural powers.