A story that takes place during Advent, we’ll meet again with your favorite pair angel Petronel and devil Urias. Their eternal wrangling causes the rare apple from the tree of the knowledge to roll on earth. And that God is really angry. Petronel with Urias find themselves in a small Czech town on the eve of the feast of St. Nicholas. And after a series of human and “divine” tests our heroes eventually find that the path to knowledge leads primarily through self discovery through the strength of friendship, love and forgiveness skills.
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Momoko is an ordinary girl, living an ordinary life. Ordinary, that is, if you define ordinary as wearing elaborate lolita dresses from the Rococo period in 18th Century France. However, when punk girl and self-styled ‘Yanki’ Ichiko comes calling, her days as ‘ordinary’ are most certainly numbered…
Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.
A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL’S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can’t get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.
A widowed mortician, struggling with agoraphobia, is given a birthday gift from her mother and daughter as a joke. The gift, a life-size male doll named Pedro, goes from funny to fantastical, complicating her ties with her family as well as a budding relationship with a documentary Filmmaker.
The Charismatic black nationalist leader Rev Deke O’Malley is trying to sell the people of Harlem a dream. Invest $100 in his company and live in Africa. But cops Gravedigger and Coffin know all about Deke and his fraudulent schemes that take advantage of the poor and the ignorant and can’t wait for a chance to expose him.
Vampish miss Dolan hires hardboiled P.I. Harry Dobbs to tail her shady boyfriend. Harry realizes that the man leads a double life but then his client disappears. Harry teams up with his own tail, P.I. Stella Wynkowski, to clear things up.
Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business.
The Narrator (Woody Allen) tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year’s Eve 1944, this coming-of-age tale mixes the narrator’s experiences with contemporary anecdotes and urban legends of the radio stars.
