Cutting edge technology spawns an enterprise of unimaginable, greed which manipulates life and death as the ultimate profit-making tools.

In 2018 a string of tragedies unfold in the high desert of North Eastern Nevada. A woman was found dead and another would vanish along the same stretch of remote highway. Could these events be linked to the infamous 2017 disappearance of outdoorsman Gary Hinge?

Shot entirely without dialogue and filled with suggestive violence and psycho-sexual imagery, it’s like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt.

A mockumentary detailing the journey of four “ni**as from the m.f. streets” on their way to meet with a big time movie/music producer.

This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.

Inspired by true events, the story begins with Japanese rugby officials dwelling on a humiliating anniversary, a 145-17 defeat by the New Zealand All Blacks in the 1995 World Cup. Officials question their decision to appoint Eddie Jones, to coach their national team for the 2015 World Cup. Jones plans to defy convention in order to put a stop to Japan being the laughing stock of world rugby.

Single mother Ryan has just about given up on dating after her divorce, happily accepting her young son as the most important man in her life. That all changes when Ryan’s brother Owen, also feeling unlucky in love after a bad breakup, swaps his home in their small North Carolina town with New York City adman Sean.

Miho and Toshio, putting their children and household at stake, duel for control in their degrading, middle-aged marriage.

When a woman’s adoptive mother dies under mysterious circumstances, she begins to question her family’s potential involvement.

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they’ve spent the night together, which doesn’t fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.

An isolated guy with cerebral palsy is railroaded into helping an unassertive comedienne, and finds love and acceptance through stand up comedy.