An investigation into accusations of teenagers being sexually abused within the film industry.
You May Also Like
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
We all learned in schools that the WWI began with the assasination of Franz Ferdinand done by a young Bosnian Gavrilo Princip. In fact, the war was brewing much longer.
Based on Martin McGartland’s real life story as a informant for the British Police to spy on the IRA. Taking place from 1987-1991, Martin (Jim Sturgess) works his way up the ranks of the IRA, while keeping his informant with the police Fergis (Ben Kingsley) at bay. In the process he saved numerous lives and is still in hiding from the IRA today.
FBI agent Malcolm Turner and his 17-year-old son, Trent, go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and Charmaine, they must find the murderer before he finds them.
On the heels of The New York Times’ breaking news story revealing new information about President Trump’s financial history, David Barstow, Russell Buettner and Susanne Craig expose the untold story of how Donald Trump became rich.
A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break.
Two fledgling criminals kidnap a pizza delivery guy, strap a bomb to his chest, and advise him that he has mere hours to rob a bank or else…
A Soviet cargo ship carrying medical opium gets attacked by pirates of an unknown nationality. The crew is left to die on a sinking ship but they manage to escape and now must fight the pirates for survival.
A behind the scenes look at the sport of rugby with the 2015 Rugby World Cup as a backdrop, featuring interviews from players, coaches, referees and fans.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.
