Based on a famous stage play and set in the year 1912, an upper crust family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in suspicious circumstances. It seems that any or all of them could have had a hand in her death. But who is the mysterious Inspector and what can he want of them?
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Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
Author Jonathan Stack, who has been so obsessed with trying to pen his magnum opus that he’s let his marriage to Samantha, who is also his agent and editor, break down to the point where she announces she’s leaving him for her business partner.
A new case for the cult detectives! Not by coincidence, a mysterious videotape falls into the hands of Jupiter Jones (CHANCELLOR MILLER), Pete Crenshaw (NICK PRICE) and Bob Andrews (CAMERON MONAGHAN) during Jupiter’s birthday party in Rocky Beach. On it is a recording of Jupiter’s long dead parents. In their message they want to communicate to their son the key to an especially tricky riddle.
A Cantonese street cook and his chief rival, a French-trained Michelin-starred chef, discover they have a lot in common as they prepare for a world-famous culinary competition. An international culinary competition becomes a battleground between rival cooks, one famous for his Cantonese street food and the other a Michelin-starred chef trained in France. But their rivalry takes an unexpected turn when they discover a common foe and combine their skills in a fusion of East and West.
Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife.
Gedorge Segal plays a divorce lawyer who is divorced himself after his wife (Susan Anspach) catches him cheating on her. She, in turn, moves on and falls into an easy-going relationship with an even more easy-going musician (Kris Kristofferson in one of his first film roles). But Blume chooses this moment to fall back in love with his ex-wife (Marsha Mason) and begins to woo her anew.
In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history.
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike’s car and then, after an odd sequence of events, shoots out the studio’s window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike’s wife to his own – the women initiate business dealings. Then, things go sour all at once, Mike’s debts mount, and going into the ring may be his only option.
A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.
48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.
