Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed.
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The story is freely inspired by the life and work of Jan Saudek, who is probably the most well-known Czech photographer internationally and has indisputably been involved in the development of international photography. He has exhibited and sold his work in the largest galleries and art houses, he has earned international recognition and awards, he enjoys great popularity and interest – he is a true phenomenon.
Director Julian Schnabel illustrates the portrait of his friend, the first African-American pop artist Jean-Michel Basquiat who unfortunately died at a young age and just as he was beginning to make a name for himself in the art world. Alongside the biography of Basquiat are the artists and the art scene from early 1980’s New York.
Blackmailed into murdering, a casanova is presented with the opportunity of living two lives. One in which he commits the crime and the other in which he refuses and goes on the run.
When four women finally take the road trip they planned in high school, they have no idea of the things they’ll bump into sometimes literally.
Extreme athlete turned government operative Xander Cage comes out of self-imposed exile, thought to be long dead, and is set on a collision course with deadly alpha warrior Xiang and his team in a race to recover a sinister and seemingly unstoppable weapon known as Pandora’s Box. Recruiting an all-new group of thrill-seeking cohorts, Xander finds himself enmeshed in a deadly conspiracy that points to collusion at the highest levels of world governments.
Evil in Tokyo is on the rise and heroes have become a common commodity just out for fame and glory. Washed out anti-hero Gun Caliber is summoned to save Tokyo from the forces of Evil.
Rebel without a cause or a clue at an elite but uptight college discovers some of his classmates have formed an even more elite clique more or less hell-bent on ridding the school, and quite possibly American society, of what they deem to be its undesirables because of ethnicity, politics, etc. Our hero recruits a teacher and some other “less desirable” classmates to undermine the elitists, and, naturally, things get quite violent.
Convinced that reuniting with his old girlfriend will bring his dreams to fruition, Gabriel risks it all in a desperate and increasingly obsessive pursuit.
Writer Ernest Hemingway begins a romance with fellow scribe Martha Gellhorn.
