France, a factory worker, lives with her three daughters in Dunkirk. The factory where she worked has been closed, leaving France and all of her workmates without a job. She decides to go to Paris to look for work. There she finds a cleaning job at the home of a rich man, Steve, whose world is radically different from her own. As their paths keep crossing, she discovers that her employer played a part in closing the factory in Dunkirk…

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Wynne, who is suffering PTSD from the death of her fiancé, starts seeing disturbing images on her cell phone about her future. If she doesn’t figure them out in time, she will die.

A housewife struggles with her husband after he is possessed by a ghost.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

Amid the dust storms and economic depression of Dustbowl Era Oklahoma, Eugene Evans finds his family farm on the brink of foreclosure. His last bet to save the farm is the bounty on the head of fugitive bank robber Allison Wells.

After historic love letters start anonymously appearing in Kallie Sharp’s mailbox, the hobby farmer searches for her secret admirer and opens herself up to love.

Laura and Ruben reunite after spending 15 years apart in a remote cabin in the woods.

Private investigator Abel Walker (Ackerman) along with his cameraman, Jim (Foy), are on the hunt for a missing woman. As they unravel the mystery of her disappearance, they become caught in a sick and violent game that will end in murder.

When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O’Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy’s affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.

An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons–his sole purpose being to bring down his old friend Billy the Kid.