After traveling far from home in pursuit of a better future, June comes back to her hometown to try to restore broken bonds with Diego, her first love, and her father. She will try to bring back their teenage years dream of moving to Berlin. However, she will soon realize that years have changed Diego, he is now reclusive and never leaves his house.
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A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences.
A modern retelling of Louisa May Alcott’s classic novel, we follow the lives of four sisters – Meg, Jo, Beth, and Amy March – detailing their passage from childhood to womanhood. Despite harsh times, they cling to optimism, and as they mature, they face blossoming ambitions and relationships, as well as tragedy, while maintaining their unbreakable bond as sisters.
Jesse finds himself struggling to get his job back as the Paradise police chief, and he is forced to rely on his cop intuition to sort through a maze of misleading clues and hidden meanings as he attempts to solve a shocking and horrifying mob-related double homicide.
David Hare concludes his trilogy of films about MI5 renegade Johnny Worricker with another fugue on power, secrets and the British establishment. Johnny Worricker goes on the run with Margot Tyrell across Europe, and with the net closing in, the former MI5 man knows his only chance of resolving his problems is to return home and confront prime minister Alec Beasley.
Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic ’80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.
The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.
A young train spotter heads to Staffordshire for a historic journey through a soon to be condemned tunnel. During his trip, he encounters a series of curious characters.
Through various modes of surveillance we observe an overprotective young woman, Winnie, and her disabled brother, Stevie, caught in a web of intrigue involving a bomb plot, inept anarchists, ambitious police and a corrupt politician. The duplicity of Winnie’s boyfriend, Conrad Verloc -political activist and police informant –propels these siblings down a deadly path. But justice may prevail in the aftermath, via the surveillance collected, compiled and presented by Special Crimes Sergeant Kylie Heat.
The film follows the life of a poor, old woman defying the hierarchy in the village. Irazca is an old woman who lives with her son Kara Bayram, her daughter-in-law Hatice, and three grandchildren. The headman of the village sells a lot from the common land of the village to Haceli. The family does not want a house to be built in front of their house and struggles against the tricks of the headman and Haceli.
Jean and Sara have been living together for 10 years. When they first met, Sara was living with François, Jean’s best friend and an admirer from back when he played rugby. Jean and Sara love each other. One day, Sara sees François in the street. He does not notice her, but she is overtaken by the sensation that her life could suddenly change. François gets back in touch with Jean. For the first time in years. He suggests they start working together again. From here on, things spiral out of control.
