Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.

Based on a Japanese manga, “Kanna-San, Daiseikou Desu,” this story revolves around Kang Han-na (Kim Ah-jung), an overweight phone sex employee and secret vocalist for Ammy, a famous Korean pop singer who actually lip syncs as she cannot sing. After getting humilitated publicly by an ungrateful Ammy, Han-na undergoes an extreme makeover to become a pop sensation herself.

A unique visual and musical experience based on the Gospel of John. Originally a Passion play, it freely blends elements of stage and cinema, creating a fresh take on this well known story.

No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

Billy Connolly was, in the 1970s, a sort of Scottish Lenny Bruce, who, with devastating humour, sliced through the hypocrisies he perceived. This 1976 documentary follows the singer-comic during his 1975 Irish tour. Made in a cinema verité fashion, the performer appears to be completely unaware of the presence of the camera in his off-stage and backstage moments.

Starting with the image of a tour bus warming its engine in the stillness of an empty lot, this haunting, personal portrait of music legend Levon Helm evokes the mood of a lifetime spent on the road. Jacob Hatley’s extraordinarily intimate documentary finds Helm, a founding member of The Band, at home in Woodstock in the midst of creating his first studio album in 25 years. The ultimate survivor, he’s overcome drugs, bankruptcy, the bitter breakup of The Band and a bout of throat cancer -but then, as the rueful title indicates, he wasn’t in it for his health

A classical musician from a working class background is sidetracked by his love for a wealthy, neurotic socialite.

The Boat that Rocked is an ensemble comedy, where the romance is between the young people of the 60s, and pop music. It’s about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60’s when the Labour government of Harold Wilson, wanted to bring the pirate stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967

This film is about a famous jazz saxophonist, Izzy, whose life is forever changed after he is accidentally shot.

In the spring of 1970 a small village in Valais experienced unusual turbulence. Is it because of the federal vote on women’s suffrage? Or in the upcoming foreign infiltration initiative? No, it’s worse: the brass band is falling apart! Half of the village blames Aloys, the other half blames Pierre. What begins as a musical conflict soon leads to a political conflict and even extends to love.

Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a “fallen woman”, which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.