Based on a true story, and set in late 1990 against the backdrop of the first gulf war, An American in Texas is the story of lifelong friends as they reach the cusp of adulthood and must decide between the hollow values of corporate careerism; or the narrow way of individualism and freedom.
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Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.
is a story about elite high school seniors, the top 1%, who are prepared to go to extremes to get into prestigious universities. A student who has ranked number one at an esteemed school dies in a remote mountain. Finding out why and the ultimate impact of his death make up the bulk of this thriller’s elaborate narrative, whose shocking conclusion could lead us to comment, “We’ve seen a devil.” Despite a structure that freely weaves together past and present, and a cast of appealing actors including Lee David, Gung Jun and Kim Kkot-bi, the most remarkable thing about the film is the theme itself. It touches on and raises the critical issue of the demands of Korea’s education system, which are becoming more extreme and competitive by the day.
A Black lawyer must come to grip with his prejudices after falling in love with a White woman while simultaneously defending a Black teenager who has been wrongfully accused of drugging and raping his White girlfriend.
In the early to mid ’90s, when the South African system of apartheid was in its death throes, four photographers – Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva – bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela’s African National Congress.
When illness strikes two people who are polar opposites, life and death bring them together in surprising ways.
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With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair’s love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public