This documentary looks at the surge in political violence through the story of the 1995 Oklahoma City bombing, showing the roots of anti-government sentiment and its reverberations today, along with the emotionally charged warnings of those who suffered tragic losses in the deadliest homegrown attack in U.S. history.
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Follows the life and career of Arthur Ashe.
Documentary about the National Film Registry, featuring clips of films that have been included in the registry, as well as interviews with members of the National Film Registry Board.
Bass-heavy and neon-coloured portrait of the alternative Chinese youth in a country in constant state of change that now threatens the underground club Funky Town.
Documentarian Richard Morris examines both the onstage and offstage lives of veteran cabaret entertainers John Wallowitch and Bertram Ross. Since 1984, Wallowitch and Ross have been a performing duo, entertaining nightclub audiences with such acid-tongued musical parodies as “If You Don’t Love Me, I’ll Kill Myself — Or Maybe I’ll Kill You” and “Don’t Do To Me What Woody Did To Mia.” Wallowitch and Ross have also been lovers for 30 years, who met while while both were active in the New York creative community; Ross spent close to three decades as a dancer with the Martha Graham company and Wallowitch is a Julliard-trained pianist and songwriter with over 1,000 compositions to his credit. Morris exmines Wallowitch and Ross both as artists and members of the gay community without patronizing or exploiting them in the process.
The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
Documentary about the role of Native Americans in popular music history, a little-known story built around the incredible lives and careers of the some of the greatest music legends.
High Tension, Inside, Martyrs, Frontier(s) and Them. In the years of 2003 to 2008, those sensational and innovative horror movies were made and left huge impact around the world. This movement is called New Wave of French Horror. This film explores the meaning and hidden secrets of this significant movement.
STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a “global war on terror.” It dramatizes the human and societal costs a democracy faces when it embarks on a “war” against terror, a “war” potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.
