Nickie Ferrante’s return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they’ve fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however, resulting in misunderstanding and heartbreak and only fate can save their relationship.
You May Also Like
Fan girl finds herself torn between the attraction for her film idol and her best male friend.
In a world where ghosts are real and front-page news, a controversial new medical procedure allows people to peacefully kill themselves. In the midst of this breakthrough, two strangers travel cross country together to end their lives, only to unexpectedly find what they’ve been missing along the way.
The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him.
The passionate love between a former boxer and a beautiful blind woman.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
An epic love story centered around an older man who reads aloud to a woman with Alzheimer’s. From a faded notebook, the old man’s words bring to life the story about a couple who is separated by World War II, and is then passionately reunited, seven years later, after they have taken different paths.
A peace-loving man named Ben Kane takes a job as deputy marshal of Lords, in the old West. Kane is no lawman, but he accepts the badge because he has an old score to settle with the town’s chief trouble-maker. Once on the job, Kane must also deal with a young sharpshooter named Billy Young and a sharp and sassy saloon dancer, Lily.
Four truck stop prostitutes overthrow their pimp, and decide to take what they want by any means necessary.
Mario is a young fisherman who dreams of becoming a poet. He gets a job as the postman to Pablo Neruda when the legendary writer moves there after being exiled from Chile.
An extraordinary look at the lives of a middle-aged couple in the midst of the wife’s breast cancer diagnosis.
This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).