Amy Schumer gets real about lasering her face, postpartum sex, her baby-naming disaster and chewable Viagra in this cheekily candid stand-up special.
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The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
Two mismatched entrepreneurs – egghead innovator Mike Lazaridis and cut-throat businessman Jim Balsillie – joined forces in an endeavour that was to become a worldwide hit in little more than a decade. The device that one of them invented and the other sold was the BlackBerry, an addictive mobile phone that changed the way the world worked, played and communicated. But just as BlackBerry was rising to new peaks, it also started losing its way through the fog of Smartphone wars, management indecision and outside distractions, eventually leading to the breakdown of one of the most successful ventures in the history of the tech and business worlds.
Relaxing on a cozy beach, the Straw Hat Pirates are taking a rest from their quest. Right until Luffy noticed the Going Merry has been hijacked and sailed off from the beach. This leads them to search the ship and find the thief who took it from them. They ran into a duo named the Theif Brothers, who informed them that their ship was stolen by a group of pirates called the Trump Kyoudai. When they encountered the Trump Pirates, Nami ended up getting kidnapped as well as Luffy’s hat. They tracked down the pirates to their base on Clockwork Island. Now Luffy, Zoro, Sanji, Usopp, and the Theif Brothers must reclaim the Going Merry, Save Nami, and get back Shank’s straw hat.
It’s been ten years since the creation of the Great Truce, an elaborate joint-species surveillance system designed and monitored by cats and dogs to keep the peace when conflicts arise. But when a tech-savvy villain hacks into wireless networks to use frequencies only heard by cats and dogs, he manipulates them into conflict and the worldwide battle between cats and dogs is BACK ON. Now, a team of inexperienced and untested agents will have to use their old-school animal instincts to restore order and peace between cats and dogs everywhere.
A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.
When Stargirl’s mother is hired as the costume designer on a movie, they relocate to L.A., where Stargirl quickly becomes involved with an eclectic assortment of characters.
The year is 2XXX and Keiko Town is an over-industrialized stretch of blackened factories pumping out thick layers of smoke that cast it in a perpetual state of semi-darkness. The citizens of Keiko Town fare no better and walk around their dilapidated town in a stupor of hopeless despair. In an abandoned factory in an obscure corner of town lies the secret base of Hikari Club. The teenage boys of Hikari Club despise the adults of their community and have taken it upon themselves to eradicate what they perceive to be the evil and filth of the grown-up world. To accomplish this, they build a machine with artificial intelligence and dub it “Litchi”. However, with the boys on the cusp of puberty and turning into adults themselves, their own world has begun to collapse around them.
Taipei, late Dec 2012. The city is going through an unprecedented winter heatwave, with temperatures in the 30s. Eight-year-old Tiger (Antoine) lives with his divorced mother, Cao Yi (Vivian Hsu), 36, who is struggling to make ends meet with her job as a magazine editor and reduced alimony payments from her ex-husband (Tang Kuo-chung). Tiger, who has a hyper-active imagination and sees his mother as a run-down robot who needs a new model, is not very bright at school and worries his art teacher (Mini Yang) with the dark pictures he draws in class.
In the world of off-road motorcycle racing, Destry Abbott is one of the most iconic riders. His story is about life, triumph, a battle with leukemia, and how love for the sport and family can reignite the desire to fulfill one’s dreams.