By combining ecstatic energy and artistry, Amplify Her follows talented young women in the electronic music scene as they come-of-age amidst the emerging cultural renaissance of the feminine.
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Anna Hepp meets with renowned German director Edgar Reitz in one of Germany’s most famous cinemas: the Lichtburg in Essen. Reitz talks about his life, his view of art and his sometimes philosophical viewpoint.
With jaw-dropping visuals and a captivating set list of fan favorites as well as unreleased remixes, see one of electronic music’s biggest acts as you’ve never seen them before. The Last Goodbye Cinematic Experience provides a look behind-the-curtain into the process of creating ODESZA’s wildly successful return to the touring stage. Since they started making music in the basement of a college house, Harrison & Clay (ODESZA) have bucked industry trends and built a creative and dedicated production team of longtime close friends. Through personal interviews with the band, their fans, and members of their creative team, the film provides an entertaining and heartfelt look at the connection between the band and their fans, how life experiences shaped the creation of their latest album, and how ODESZA grew from small-town aspiring musicians to a four-time Grammy Award-nominated, major festival headlining icon.
Dusty Chandler (Strait) is a super star in the country music world, but his shows have the style of a ’70s rock concert. One day he takes a walk – out of his overdone concerts to find his real country roots. He’s helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.
That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.
As deadly attacks target female students, judges and journalists, 101 East travels to Afghanistan to investigate the assassinations.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
Filmed in Modena, Italy across two nights in November 1993 as part of Peter Gabriel’s acclaimed Secret World Live tour in support of the Us album, the show is elaborately presented and choreographed with two stages joined by a narrow pier. Peter Gabriel has always been a charismatic live performer with the ability to draw his audience into the onstage world he has created and rarely has this been better captured than on Secret World Live.
A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.
This gripping adaptation of the Jerome Lawrence-Robert E. Lee play examines an issue that still causes great controversy: the role religion should play in the schools.
Posing as a wealthy, jet-setting diamond mogul, an Israeli conman wooed women online then conned them out of millions of dollars. Now some victims plan for payback.
A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.
