In 2013 Jeremy Clarkson and Richard Hammond embarked on what they hoped would be the perfect road trip. It started well and ended, quite frankly, very badly. Unbowed, the Top Gear pair are back for another crack and this time they’re hoping to avoid inconveniences like apprehension by the French police. Welcome, then, to The Perfect Road Trip… 2. Once again, Clarkson and Hammond are seeking joy and perfection wherever it may be with a range of fast, beautiful and exciting cars unleashed on glorious roads amongst gorgeous scenery and drenched in Mediterranean sunshine. As part of their arduous research into perfection, the duo will also undertake some ridiculous challenges and hilarious stunts culminating in a strangely literal car race on the island of Capri. Top Gear – The Perfect Road Trip 2. This time it really is perfect. Except for the bits that aren’t.

Featuring Michael Pollan and based on his best-selling book, this special takes viewers on an exploration of the human relationship with the plant world — seen from the plants’ point of view. Narrated by Frances McDormand, the program shows how four familiar species — the apple, the tulip, marijuana and the potato — evolved to satisfy our yearnings for sweetness, beauty, intoxication.

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

In 2007, The Sci-Fi Channel premiered “Ghost Adventures,” a raw documentary in which 3 men go to Virginia City, NV and Goldfield, NV on a ghost hunting expedition. Virginia City is rife with macabre lore and reputed to be one of the most haunted cities in America. Ghost Adventures has won a Grand Jury Prize for Best Documentary that was given by the New York International Film & Video Festival.

The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.

Documentary – In some parts of the world, children whose parents are sent to prison and who lack other guardians are locked away along with their parents. This eye-opening documentary tells the story of what it means for a child to grow up in prison and what hope exists for a better life. –

A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there’s no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: “Is this foundation event of the Bible really just a myth?” He embarks on a 12-year journey around the world to search for answers. Patterns of Evidence: The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history. It features stunning animations, narration by Kevin Sorbo (God’s not dead, Hercules: The Legendary Journey), interviews with leading archaeologists such as Israel Finkelstein, Kent Weeks, and David Rohl, and guest appearances by Israel’s Benjamin Netanyahu and Shimon Peres.

American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

The Great Postal Heist follows director Jay Galione’s father, a 30-year US Post Office clerk, who was harassed, threatened, and fired for standing up for his colleagues. A moving indictment of the toxic culture and push to downsize, the documentary chronicles the journey of postal workers, experts, and advocates who experienced firsthand the abuses in the oldest federal agency in America and stood up against the USPS’s notoriously violent work environment, featuring interviews with Ralph Nader and Richard Wolff. The atmosphere was a result of systematic dismantling and privatization of the trillion-dollar mail industry by lobbyists and politicians who seek to make profits at the expense of the mental health, living wages, and working conditions of their employees.

Dean Cain presents ‘The Top 12 Greatest Christmas Movies of All Time’.

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?