Summer in L.A., it’s hot. Homeland Security has set the threat level at red; they’re searching for several Arabs alleged to be terrorists. Mustafa, an Egyptian immigrant who runs a falafel shop, comes to the FBI’s attention; they investigate him. He has other problems: his young teen son no longer wants to be a Muslim; his sister, a nurse, objects to Mustafa arranging her marriage to a cousin from Egypt. She has a non-Arab suitor of her own. Omar, an employee of Mustafa, is a struggling actor who doesn’t want to play only terrorists. Mustafa hopes to open a real restaurant and has a potential partner in Sam, a Jew, whose family objects. What is the price of the American dream?
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On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who’s moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
Two travelers undertake the construction of a gigantic bridge in order to cross a gulf blocking their way.
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.
An African-American model on a film shoot in Ghana is transported into the body of a slave on a Southern plantation.
By the early 1900s, the extraordinary Houdini earned an international reputation for his theatrical tricks and daring feats of extrication from shackles, ropes, handcuffs, and Scotland Yard’s jails… The film depicts Houdini’s memorable escape from any pair of handcuffs produced by the audience; the outdoor exhibition, when he allows himself to be hanged upside down from his ankles, suspended from the roof of a high building, in a strait jacket; and, the dramatic act, when he accepts to be shackled with irons and placed in a box that is locked, roped, and submerged in frozen waters…
An unlikely friendship between 2 young men becomes everything, when an Australian soldier takes refuge under the canopied jungles of Singapore, during the violent Japanese invasion in World War II. Jim is lost, injured and defenseless in a hostile, tropical world, hunted by Japanese troops, Seng, a Singapore-Chinese resistance fighter emerges from the jungle and the two young men find themselves thrown together hoping to survive.
An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.
Force of Habit follows the lives of various women throughout one day. Hilla is having a romantic vacation, Emmi is throwing a house party, and Milja is on her way to school when they’re approached by a stranger and things take an unexpected turn. At the same time, Emppu, a young actress, is conflicted as she rehearses for the biggest role of her life. Elsewhere, Aleksi, an inexperienced prosecutor, is preparing for his first court case in haste; Niina, the victim of the crime, has been waiting years to see her case tried. Miia throws a company party, and the mood dramatically changes when her colleague Katja opens up about their boss coming on to her. Miia and a couple of her closest colleagues try to resolve the situation, but how do the others react?
