The annual ceremony honors musicians.
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In a world filled with Noise, there is another Sound worth Hearing, and her name is Rachel Flowers. “Hearing is Believing” introduces the world to the life and music of the multi-talented 23-year old musician and composer, Rachel Flowers.
A new documentary by Irish director Niall McCann, “Lost In France” explores the rise of Scotland’s independent music scene in the ’90s, led by cult label Chemikal Underground. Featuring The Delgados, Bis, Mogwai, Arab Strap, Franz Ferdinand and other seminal acts, this is an intimate film exploring friendship, creativity and music. On the journey, we revisit a defining, chaotic trip early in the musicians’ careers, re-staging a concert in Brittany that connects the characters in life (and on stage) for the first time in many years.
A famous opera singer is held hostage in South America by a guerrilla rebel group after performing at a Japanese businessman’s lavish birthday party. Unexpected bonds are forged in the standoff that ensues.
All hell breaks loose when a giant grizzly, reacting to the slaughter of her cubs by poachers, attacks a massive rock concert in the National Park. [This sequel to “Grizzly” (1976) was left unfinished after production wrapped prematurely in 1983, and was not officially released until 2020, though a bootleg workprint version had been in circulation for some years prior to this.]
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
The rise and fall of Love Records record label in 1960s and 1970s Finland.
Janey is new in town, and soon meets Lynne, who shares her passion for dancing in general, and “Dance TV” in particular. When a competition is announced to find a new Dance TV regular couple, Janey and Lynne are determined to audition. The only problem is that Janey’s father doesn’t approve of that kind of thing.
Rude Boy is a semi-documentary, part character study, part ‘rockumentary’, featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
Rich Bower is an up-and-coming star in the hip-hop world. Everyone wants to be around him, including Raven and her fellow upper-class white high school friends. The growing appeal of black culture among white teens fascinates documentary filmmaker Sam Donager, who sets out to chronicle it with her husband, Terry. But before Bower was a rapper, he was a gangster, and his criminal past comes back to haunt him and all those around him.