Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter’s attractive friend.
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Erik, recently retired, is looking forward to some post-work adventure and to enjoy his family. These plans are thrown into doubt as the harsh reality of his wife Juditha’s accelerating illness causes his own health to deteriorate. Juditha refuses to accept any outside help as Erik buckles under the pressure.
A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
On 8th February 2000 at Feltham Young Offenders Institute, Robert Stewart, a known violent racist was placed in a cell with Zahid Mubarek, eventually leading to Mubarek’s murder 6 weeks later.
J.J. is a rookie in the Sheriff’s Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.’s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white-male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
Fleeing religious persecution in Germany, the Leininger family seeks a new start in uncharted country – America. It is the mid-1700s and British and French forces are struggling for control over the abundant resources of this new territory. Carving out a homestead can be arduous work, but the Leiningers labor joyfully. Then the unthinkable: In a terrifying raid, Delaware warriors kidnap the two young Leininger daughters and attempt to indoctrinate them into native culture. Through their ordeal they never lose hope and “their faith becomes their freedom”.
When David, an ex-monk still in his twenties meets Mark, he falls hard; soon he’s asked Mark if they can live together. Things go well for awhile, and then differences in their definition of “commitment” begin to push them apart. Mark wants other sexual adventures, David tries to go along. Can they talk through the crisis in their relationship or is a breakup in the offing? David sees his relationship with Mark as a marriage, so if it ends, can David’s heart ever heal?
The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.
Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.
A tragic meditation on what it means to simply be. A rambling woman stranded in a strange rural town is forced to confront her own existence.
A priest gives up on getting Godandapos;s attention in this town that seems hidden in Godandapos;s blind spot, and turns to a harlot to share his haunted confession.
