Teen friends, Steve, Carrie, Cooper, and Gameboy embark on a weekend camping trip lead by their church youth group leader Stuart (Sean Astin) and his wife Beth (Erin Bethea). Joining them is an outsider Ashley, a self-involved rich kid, whose attitude causes a major commotion within the group, specifically between her and Carrie. Before it gets too out of hand though, Stuart takes this opportunity to share with the kids the incredibly powerful biblical story of Hosea; a story of immovable faith, impeccable commitment, and impervious love.
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Parole officer Jack Mabry has only a few weeks left before retirement and wishes to finish out the cases he’s been assigned. One such case is that of Gerald ‘Stone’ Creeson, a convicted arsonist who is up for parole. Jack is initially reluctant to indulge Stone in the coarse banter he wishes to pursue and feels little sympathy for the prisoner’s pleads for an early release. Seeing little hope in convincing Jack himself, Stone arranges for his wife to seduce the officer, but motives and intentions steadily blur amidst the passions and buried secrets of the corrupted players in this deadly game of deception.
Abbie Rose is a popular social-media influencer known for her lifestyle, fashion and makeup videos. She signs a coveted contract with Nutrocon, a notorious cosmetic company known to pollute, test on animals and treat female workers unfairly… Immediately, she’s taken down and tied up in her home by a group of masked activists. Overnight, they force Abbie through the filming of a video, advertising a mysterious new makeup kit. As the hacker’s plan unfolds, we learn the real reason for their visit and, as Abbie’s façade fades, we learn more about the lies she’s been living.
Ronya lives happily in her father’s castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronja have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
White Water is the story of a 7 year-old black kid in segregated 1963 Opelika, Alabama who becomes obsessed with the desire to taste the water from the “white’s only” drinking fountain and sets out on a quest to do the unthinkable: drink from it.
Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked parents. At the office he must face the rampages of his mentally unstable colleague Jerôme who one night turns up at his door with a young woman in tow who has just been released from a clinic.
After returning home from a traumatic tour of duty in Iraq, John finds himself struggling with PTSD. What little peace he had managed to build around him is shattered one fateful day when he rescues a local call girl from a group of violent Aryan Brotherhood pimps. Having killed several of the high-ranking brotherhood during the rescue, John and his family are now the prime targets of Hollis, the ruthless criminal leader of the group.
Set in the future on a war-ravaged Earth, four exhausted soldiers man Sentinel – a remote military base in a vast ocean that separates two warring continents. While their tour of duty ended three months ago, the relief crew still hasn’t arrived and as the empty weeks turn to months, paranoia descends, testing relationships to breaking point…
A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister’s impositions. Slowly, the film exposes how the roots of Sweetie’s illness have choked Kay’s own development. Can she be released?
