A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

Clairvoyant femme fatale Nicola Six has been living with a dark premonition of her impending death by murder. She begins a tangled love affair with three uniquely different men: one of whom she knows will be her murderer… The film is based on a dystopian Martin Amis novel.

Years after his final job as a highly sought-after hitman, Luisito has settled down with his girlfriend Lia in a quiet seaside town. Unfortunately, they do not enjoy peace for long as Lia is kidnapped by someone who wants Luisito to use his skills one last time. With Lia’s life hanging in the balance, Luisito takes on a crew of dangerous killers, including a particularly mysterious assassin who has long awaited the chance to even the score with her rival, La Soga.

Koji runs a second-hand bookstore. He likes female drummer Ichihana, but, suddenly, female high school student Misaki appears in front of him and keeps confesses her feelings for him.

A beautiful anti-war movie. It describes the surreal journey of two Egyptian soldiers as they’re coming back to Cairo from the Six-day War of 1967. One is an aspiring actor, whose biggest role so far was that of Shakespeare’s Shylock (the irony of fate), who contributes the role of the sad clown (played by the Arab-Israeli actor Salim Daw).

A buffalo hunter (Stewart Granger) has a falling-out with his partner (Robert Taylor), who kills for fun.

The story begins with Makoto Segawa, a freshman at Meikei University. On the day of his university entrance ceremony, Makoto meets a fresh-faced, quirky girl named Shizuru. Makoto has a complex which causes him to shy away from contact with other people, but she succeeds in getting him to open up to her naturally. All Shizuru wants is to be with Makoto, so she takes up a camera too. The two spend their days together taking photos in the forest behind the campus. However, Makoto has feelings for another student named Miyuki. Shizuru decides that if Makoto likes Miyuki, she wants to like her too. She wants to like everything that he does. One day, she tells Makoto that she wants to take a photo of them kissing in the forest as a present for ‘her birthday’. He obliges for her sake, and they kiss in the forest.

An heiress who’s been shut inside her apartment building for nearly two decades is forced to confront her fears after one of her neighbors is killed and a detective arrives to begin the investigation.

Narasimha is a man on the run with his one-year-old son. He reaches Kumbakonam and stays at the house of the village temple’s dharma karta’s house. But while there, he bumps into Gowri who seems to dislike him for some reason, despite being his childhood friend. A death row inmate Rami Reddy also seems to hold a grudge against Narasimha. Who is Narasimha and what did he do to make so many enemies?

When Max, a troubled girl looking for a way out of her mundane life, meets the mysterious and seductive Lily, she instantly falls head over heels in love. But Max soon realizes Lily is not who she seems and she finds herself trapped in a dangerous world of drugs, deceit and murder.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant Ivory Foundation in 1996.