A journey deep into the oldest music in the Western world, guided by an eccentric musicologist who has dedicated his life to understanding and preserving it.

Sydney, in the 50s. Rosaleen Norton is a painter specialised in occult themes, infernal sabbatical visions exuding wanton sexuality. In conservative Australia, the Witch of King’s Cross was soon accused of obscenity, and of taking part in satanic rituals, orgies and whatnot…

A glittery nightclub in 1920s Berlin becomes a haven for the queer community in this documentary exploring the freedoms lost amid Hitlerandapos;s rise to power.

Archaeologists generally regard Mesopotamia as “the beginning of civilization” but shocking new evidence the defies comprehension clearly suggests that highly advanced civilizations existed in pre history. With new advanced technology, archaeologists are now able to image undiscovered worlds before our own from above. The truth to mankind’s true origins is being rapidly revealed to be very different than what we’ve been told.

The Call of the Wild is a 2007 documentary by independent filmmaker Ron Lamothe detailing the odyssey of Christopher McCandless, who is best known as the subject of the novel (and later film) Into the Wild. McCandless, a self-described “aesthetic voyager whose home is the road”, died on Alaska’s Stampede Trail in August of 1992. His death followed a two-year cross-country odyssey that took him from Atlanta to Arizona, down into Mexico, and from California’s Salton Sea to the streets of Las Vegas and the small town of Carthage, South Dakota, and countless places in between. In the spring of that year, the 24-year-old McCandless had made his way north to Alaska, where he lived in the woods north of Mt. McKinley for 113 days before his death by starvation.

Documentary examining the 2014 shooting of 17-year-old Laquan McDonald by Chicago police officer Jason Van Dyke and the cover-up that ensued.

Anya was an ordinary Moscow teenager who found a chat group of her choice online. They talked about animals, the stars and social issues. A man called Ruslan D joined the group, who set up an office space for the online group to meet. Step by step, he began to lead young people who were critical of the Putin’s regime towards political activism. Ruslan D placed a camera in the meeting room, and when he had enough footage, he handed it over to the prosecutor. The police raided the teenagers’ homes and they were arrested on charges of planning to overthrow the government and terrorism. Three years of legal proceedings transformed Anya’s mother from a loyal follower of Putin to a hunger-striking activist. Moscow-based director Anna Shishova followed Anya and her mother’s life throughout the event and eventually revealed the true identity of Ruslan D.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.

Seventy-five years after Brad Washburn, one of the greatest aerial mountain photographers of all time, first shot Alaska’s Denali Mountain from the open door of an airplane, climbing buddies Renan Ozturk, Freddie Wilkinson, and Zack Smith look at some of his mountain photographs and have this crazy idea. Rather than go up, their dream is to go sideways across the range’s most foreboding peaks, the Moose’s Tooth massif. It’s a fresh new way to explore the same landscape Washburn first discovered. As the group endures rough conditions, disintegrating ropes, and constant rockfall, their desire to be the first to complete the audacious line grows into an obsession. But friendships begin to fray when Renan suffers a near fatal brain injury, forcing all three partners to decide what’s most important to them.

Since 1912, baseball has been a game obsessed with statistics and speed. Thrown at upwards of 100 miles per hour, a fastball moves too quickly for human cognition and accelerates into the realm of intuition. Fastball is a look at how the game at its highest levels of achievement transcends logic and even skill, becoming the primal struggle for man to control the uncontrollable.