When two freshmen pledges are accepted into the biggest party frat on campus, they think they have it all. That is, until the assistant dean forces the Alphas to share their house with a sorority or face expulsion from school. Not wanting to see their lifelong dream of becoming Alphas destroyed, the pledges convince the other members of the house to take back what’s theirs, waging an epic battle of the sexes to fight for their right to party.
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Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
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As a screenwriter takes notes from Hollywood executives, her beautiful diverse movie about a black American woman traveling to Mexico, slowly becomes a romantic comedy with an all-white cast. A quirky cerebral look into commercialism and greed, juxtaposed with a heartwarming movie that challenges stereotypes.
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