A conservationist travels to Hawaii for her best friend’s wedding and instead of a relaxing vacation, finds herself in wedding prep and helping the new hotel manager make changes to his family hotel.
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Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they’ve got a “love thing” or are just “kicking it,” they hang out with their friends, talking about love and sex. Then Nina tests the strength of Darius’ feelings and sets a chain of romantic complications into motion.
A young brawler falls in love with a beautiful artist and must choose between his support system and his dreams.
A couple endures a series of mishaps right before their wedding day.
Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good.
Alone on a tiny deserted island, Hank has given up all hope of ever making it home again. But one day everything changes when a dead body washes ashore, and he soon realizes it may be his last opportunity to escape certain death. Armed with his new “friend” and an unusual bag of tricks, the duo go on an epic adventure to bring Hank back to the woman of his dreams.
From Wikipedia, the free encyclopedia. Roll Bounce is a 2005 American comedy-drama film written by Norman Vance Jr. and directed by Malcolm D. Lee. The film stars hip hop artist Bow Wow as the leader of a roller skating crew in 1970s Chicago. The film also stars Nick Cannon, Meagan Good, Brandon T. Jackson, Wesley Jonathan, Chi McBride, Kellita Smith, and Jurnee Smollett. Description above from the Wikipedia article Roll Bounce, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won’t leave her alone.
Grace’s life begins to unravel when a woman with sinister intentions moves into her guest house.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
