A Canadian television director is hired to salvage an international fishing show in Scotland. The only hitch: his ex-wife is the host. What he finds in Scotland is love in the form of a local fishing guide (called a ghillie) and the chance to repair his life and his friendship with his ex-wife with whom he had a child who died.
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Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship turns into love, problems develop, and although they seem meant for each other they somehow keep missing out.
After falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church’s Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.
Dennis feels different – an ordinary boy in an ordinary house in an ordinary street, playing football with his mates and living with his dad and brother, but frustrated by the boring grey world he inhabits. Life has never really been the same since his mum left. However, transformation can happen in the most unexpected places. Aided by Lisa, the coolest girl in the school, Dennis creates a whole new persona and puts it to the ultimate test – but can a boy wear a dress, and what will the headmaster, his dad and his friends on the football team think if they find out?
The episode will focus on the young Zeon ace Char Aznable earning his “Red Comet” nom de guerre, as well as the beginnings of the Federation’s “Project V” weapons project that will eventually birth the RX-78-2 Gundam.
Jolana (18) is an object of her stepf-father’s desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
Set in the belly of Los Angeles’ criminal underworld, Arc is the story of Paris Pritchert, a former police officer turned drug dealer and addict, who embarks on a quest to find a missing child in the hope of redeeming his eroding character. The only catch is, like all addicts, Paris’ confidence completely relies on the drugs in his system and — in this case — his firm belief that he can succeed in his mission if he can just stay high 24/7 and alive long enough to see it through. To aid in the endeavor, Paris enlists the help of Maya Gibbs, an African American prostitute versed not only in the language of the street, but also in the words of Maya Angelou and Nadine Gordimer. And together, the path of this dysfunctional duo crosses with those of the child’s parents, a doctor with a penchant for soliciting “Street Boys”, a self-ascribed King Of Porn, a drug supplier with a gift for making impeccable hors d’oeuvres, and a hardened cop with more scams than the most adept street hustler.
Screenwriter Leo is searching for the wolf in the south of France. During a scouting excursion he is seduced by Marie, a free-spirited and dynamic shepherdess. Nine months later she gives birth to their child. Suffering from post-natal depression and with no faith in Leo, who comes and goes without warning, Marie abandons both of them. Leo finds himself alone, with a baby to care for.
A social drama about four marginalized prostitutes in Marrakech and their complex relations with their families and society at large.
Set in the late ’20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
