An investigation into Britainandapos;s air fryer obsession, including how they work, what can be cooked in them, and whether they really save us time and money.

Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, ‘Score’ is an aural valentine for film lovers.

This documentary tells the story of Rose West from baby to mother to murderer. This is a side to the world’s most notorious criminal that viewers have never seen before – her childhood. Using incredible first-hand accounts from people who knew her as a child; neighbours, teachers, friends and relatives, we’ll go through the key turning points in her upbringing that made her the killer she was to become. By intercutting between her harsh childhood and the psychopathic tendencies she presented in later life and the despicable crimes she would go on to commit, plus with the advice of on-screen psychologists; the viewer will get a better sense of why Rose West became the serial killer of at least 12 young women.

Over a decade after leaving the religious cult that dominated her childhood, filmmaker Cara Jones grapples with her time in the Unification Church.

UFOs: weapons of mass deception… For over 60 years teams within the US Air Force and Intelligence services exploited and manipulated beliefs about UFOs and ET visitations as part of their counterintelligence programmes. In doing so they spawned a mythology so powerful that it captivated and warped many brilliant minds, including several of their own. Now, for the first time, some of those behind these operations, and their victims, speak out, revealing a true story that is part Manchurian Candidate and part Close Encounters of the Third Kind.

In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams.

Lucy Worsley reveals the surprising stories behind our favourite Christmas carols. From pagan rituals to religious conflicts, French dances and the First World War, carols reflect our history.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

For the first time in history the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. The exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few 20th-century artists who portrayed themselves with such consistency. Spanning nearly seven decades his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his portraits represent an engrossing study into the dynamic of ageing and the process of self-representation. This intensely compelling exhibition creates a unique opportunity for EXHIBITION ON SCREEN to reveal the life’s work of a master in one show.

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A recovering alcoholic and recently converted Mormon, Arthur “Killer” Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.