A young confidential informant is sent on a dangerous undercover operation. It’s a no-holds-barred look at the vulnerable foot soldiers of the War on Drugs, young criminals who are pressured to work for the police.
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Based on Gordon Korman’s book ‘Swindle,’ this movie is about a boy named Griffin who finds a valuable multi-million dollar baseball card. After accidentally selling the card for a million dollar loss, he enlists the help of his best friend Ben and his colleagues to regain the baseball card.
Four Harlem friends — Bishop, Q, Steel and Raheem — dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn’t willing to take no for answer in a game where everything’s for keeps.
A local New York City mobster named Tony Thick is expecting $5 million in cash to be delivered by Lenny Long from Los Angeles. Soon enough he realizes Lenny is missing, and it’s unknown whether he is dead or he stole the money and ran away. Thick sends Shady, his made man, to L.A. to look for the missing cash. In his search, Shady meets Lenny’s baby-desperate wife Sally, his ditsy mistress Eve, his muscle headed brother Louis, his quirky neurosurgeon Dr. Hooker, and a crew of other nut jobs. None of them know where Lenny is or what happened to him, but they all know that Lenny promised them a share of the money. With Lenny discovered in the San Fernandino hospital, drifting in and out of a coma, Shady has to discover where the money is.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
In New York, armed men hijack a subway car and demand a ransom for the passengers. Even if it’s paid, how could they get away?
A convicted thief in Dartmoor prison hides the location of the stolen Bank of England printing plates inside three music boxes. When the innocent purchasers of the boxes start to be murdered, Holmes and Watson investigate.
The 60s, London: The Krays are on the rise, using their inimitable violent ways to gain power over the city. One man, the fearless Detective Nipper Read, is sent in to tackle the unenviable task of bringing the city back under the rule of law and taking on the country’s most feared mobsters in the process. As he faces bent coppers, political backstabbing, and terrified witnesses, Nipper becomes increasingly obsessed, putting everything and everyone he knows at risk.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk, who joined Freddie Mays’ gang, a man he both envied and ultimately betrayed.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
