Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he’s having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.

The Edge of love is a love story of two feisty women and a brilliant, charismatic poet who love both women. One woman Vera Phillips who is his first love and whom he lost for ten year, while other one is his present wife Caitlin who is adventurous and felt same adventurous nature in this charismatic poet, Dylan Thomas, also.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.

The end has come, and a New World Order has arisen. Demi and Christen find themselves living in the apocalyptic era, foretold in the Holy Bible. Now three years already, since the inception of the New World Order.

Lionel Rogosin’s plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party’s mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.

Natalie, a gifted New York photographer, has a troubled past reflected in her art. When she struggles to make ends meet in the city, her agent, arranges an assignment in Boston for a considerable sum of money. Unable to turn it down in her dire straits, Natalie takes the job — only to find that her estranged gay brother, Roy, is the employer. Roy wants to mend their broken past, but must convince her to stay long enough to do so.

A father comes home to Tennessee from the “police action” in Korea to take over operation of the family moonshine making operation, but runs afoul of some gangsters who want in on the action.

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A former smuggler attempts to start his life anew and repair his relationship with his estranged brother after his release from prison.

A newly-married merchant’s son is sent away for business. A ghost, who laid eyes on the bride, falls madly in love with her and takes the form of the husband and begins living with her.

After a violent storm, Ali awakens on a deserted beach, sick and disoriented. They’ll be looking for him and he must keep moving. Ivan, a local Cuban, takes Ali to the apartment of his sister Manuela, a dancer in Havana. At first, she is apprehensive to take in this tormented stranger, but she relents as she feels drawn to this mysterious person who has shown up on her door step. Ali is haunted by nightmares, which bring him to the horror of the interrogation room at Guantanamo, and by startling visions linking his past and his present life. But are these nightmares flash backs to his experiences in the prison or just dreams of a tortured soul?