Two children accused parents and teachers of leading a paedophilic satanic cult, supposedly headquartered in secret rooms on the school premises. The story was not true. But once the fire was lit, it was hard to put out. Emily Turner’s film considers the real-world impact of an outrageous online conspiracy theory, exploring the importance of truth and the cost of lies.

Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa’s rugby team as they make their historic run to the 1995 Rugby World Cup Championship match.

A decade has passed in the small town where the original Sandlot gang banded together during the summer of ’62 to play baseball and battle the Beast. Now comes the sequel, a campy romp back to the dugout where nine new kids descend on the diamond only to discover that a descendant of the Beast lives in Mr. Mertle’s backyard–a monster of mythical proportions known as “The Great Fear.”

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.

A poignant and humorous film telling the life story of the hugely popular author of the discworld series of books, in his own words.

Go behind the scenes during One Directions sell out “Take Me Home” tour and experience life on the road.

David Bromley found that art appeased the voices in his head and helped him find beauty in the world. So he made the life-changing decision to commit his whole being to something meaningful. Light after Dark takes us into the world of this prominent Australian artist. With intimate access, we peel away the layers of anxiety, phobias and suicide survival, whilst embracing the humour, energy, and love that is ever-present in the Bromley world. David’s journey is not complete without his wife Yuge and it’s through this powerful partnership that we witness firsthand the fragility of David’s world and state of mind. As the Bromley’s live their authentic lives, interviews with friends, critics and musicians add perspectives and insight on creative process, mental health, and commercialisation of art.

The Veterans in this film, different across race, class, and culture – men and women, African Americans and Latinos, gay and straight…flesh out our different storylines. Their differing backgrounds and experiences express the full range of combat soldiery. Challenged by unemployment, rape, child abuse, homelessness, suicidal ideation, drug and alcohol addiction and more, what we witness through them is an emotional hurricane. Though at times terrifying, shocking, and emotionally wrenching, their stories of transformation ultimately prove tremendously uplifting, filled with humor and spirit, buoyed all the more by the expansive hearts of the men and women who serve them.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers’ puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

In the slums of Kampala, two men from opposite sides of the world come together over a shared love for America’s greatest hero: Rambo. Against all odds, the two make their own action movies with no money — and bring joy to millions of people on the internet. Welcome to “Wakaliwood.” Through comedy and kung-fu, “Once Upon a Time in Uganda” chronicles the unlikely friendship between Isaac Nabwana, a director hailed as “Africa’s Tarantino,” and Alan Hofmanis, a film programmer from New York. While Isaac tirelessly makes feature after feature, Alan brings his films to international audiences. But tensions flare as Isaac’s star rises — threatening their partnership and all of Wakaliwood.

The story of Simon Fitzmaurice, a young filmmaker who becomes completely paralyzed from motor neuron disease but goes on to direct an award-winning feature film through the use of his eyes.