Olka is seventeen years old. For years, she had been looking for her mother. Her constant escapes from the orphanage landed her in a reformatory. She only wants her mother back.
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A Man and a Woman wander through a hostile wilderness in a far-away world. One day, they stumble upon a mysterious set of Structures, which will complicate their lives both for good and ill.
After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.
Down on her luck, Keisha, learns her sick mom needs costly care. She forms an all-female gang to dominate the city and takes out rivals to raise funds. When the northside gang leader targets Keisha, she must kill him before he can kill her first.
The seventh in the shocking “Jingi Naki Tatakai” movie series, which exposes the true lives of the yakuza that is hidden by a mask of “jingi”. The next stage of this continuing drama is the Kanmon Channel where the Owada and the Kyoei groups are battling for territorial rights and drug smuggling. The Owada sends their man, Tetsu, and his friend Shuji to kill the Kyoei boss. With the promise of fame and riches, Shuji takes the fall and goes to jail for 7 years. But when he’s released, he discovers that he and Tetsu have been all but forgotten by the Owada. Feeling betrayed, Shuji takes natters into his own hands and becomes an unsuspecting pawn in an internal conflict and an assassination attempt on the Owada boss. And now angered, Shuji seeks revenge…
On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn’t killed. Those terrible years were nothing more than a bad dream is Myra’s hope after Roy finds her and takes her to his family’s country estate.
The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.
In the 19th century, young Charles Dickens is a promising young writer who is obsessed with material success in his career. His misguided priorities are soon challenged when he encounters a mysterious little girl. That girl takes Dickens on a strange and moving journey in which he is shown the future he could have if he doesn’t change his ways and, more importantly, he is shown a better purpose for his writing as a way of speaking for the oppressed who need his help. It is these events and lessons that would inspire Dickens to write an extraordinary Christmas tale that would become his greatest work, A Christmas Carol.
15-year-old Mia faces an overwhelming transformation which puts her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, Mia is soon forced to accept that nature is far more powerful than she is.
Based on the book by John Heilemann and Mark Halperin, Game Change focuses on the Republican run of the 2008 Presidential election, when candidate John McCain picks a relative unknown, Alaskan governor Sarah Palin, to be his running mate. As the campaign kicks into high gear, her lack of experience, in both political and media savvy, becomes a drain upon McCain and his strategists. Directed by Jay Roach, who previously directed the HBO film Recount and the Austin Powers movies, Game Change premiered on HBO on March 10th, 2012.
A man’s wife starts having an affair with her brother-in-law, who is temporarily staying at their apartment.
The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn’t always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.