When flying reptilian creatures wreak havoc all over the world, the survivors’ only hope of stopping them is a new, state-of-the-art fighter jet piloted by the only team that knows how to use the technology.
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Driven by the desire for the huge reward, Tang Ren (by Wang Baoqiang) tricked Qin Feng (by Liu Haoran) to New York, to attend the World Detective Contest,. Later on, behind the crazy competition, Qin and Tang discovered the real hidden facts of this contest.
A group of horror fans find themselves unwilling participants in a nightmarish role playing game that pays homage to a classic horror film.
Shinobu Takamura (Asami Mizukawa) is an aspiring painter. One day, she is accused of using counterfeit money. Shinobu is confused by the allegation, because she never did such a thing and was at home when the crime occurred. Police Officer Kanou then appears and takes her to a place. When they get there, a group of people are already gathered. All of the people there are concerned over a doppelganger like existence that looks just like them and acts like them. They call that existence “bilocation”.
Answering an in-home help ad for an elderly woman, Abby Daniels leaves family and friends for a remote farmhouse in the country. But all is not as it seems with her fluffy employer, whose locked doors and cellar seem to be hiding some unusual hobbies. When she drunkenly sneaks her boyfriend into the house, breaking the rules about cursing and fornication, Abby is plunged into a nightmare of hellish proportions – pitted against a clan of ruthless, amoral and degenerate flesh-eaters lead by their murderous GRANNY!
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
In 1936 under the war clouds over the Manchurian border, 60-year-old Oshima Shozaburo is concerned about the future of his only son, Ryuji, who has refused to follow in the footsteps of his gambler father and decided to become a doctor. Ryuji leaves home to work at a clinic at a dam construction site where he finds the treatment of the laborers intolerable. But when he challenges the boss, who thinks nothing of murder, he discovers to his astonishment that he is safe because of his father’s reputation. Torn between filial piety and his ideals Ryuji is told of the murder of his father by men of a rival gang. He experiences another shock when informed that the woman behind the rival gang is his true mother who was forced to leave his father due to an unwritten code among gamblers.
A drug lord tries to sell off his highly profitable empire.
A vegan-goth high school student falls in love with her new English teacher and develops a problematic taste for human flesh.
After finding a host body in investigative reporter Eddie Brock, the alien symbiote must face a new enemy, Carnage, the alter ego of serial killer Cletus Kasady.
