Hope, an abandoned crew member aboard the derelict chemical hauler Otranto, has spent a year trying to keep her ship and herself alive as both slowly fall apart. After discovering hidden cargo, she risks it all to power up the broken ship in search of human life. (One of six short films produced to celebrate the 40th anniversary of 1979’s Alien.)
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Scott Keyes is a brilliant but misanthropic computer hacker who generally prefers porn to living women and computers to human beings. But Keyes’ life is about to be turned upside-down. Thanks to some code-breaking by his partners Hunter and Gazelle, Keyes is finally able to unlock AIMEE, an incredibly advanced Artificial Intelligence program that appears in the form of a beautiful and seductive woman. But what a smitten Keyes doesn’t realize, and what Gazelle soon discovers, is that AIMEE is an advanced infiltration program and has been designed to learn from whoever downloads her, become whatever he most desires, and in the process, to take over, control, dominate, replicate, spread – and ultimately destroy anyone who opposes her.
What should have been a tourist trip to remember, quickly turns into a living nightmare when five passengers on a seaplane become stranded, miles away from shore. What follows is a desperate bid for survival as the group try to make it to land before they either run out of supplies or are taken by the man-eating sharks lurking just beneath the surface.
In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.
A total re-edit of Mario Bava’s gothic classic Lisa and the Devil (1973) for US release in 1975. Cheesy exorcism scenes were shot to try to capitalize on the success of The Exorcist (1973).
Vena Norris and her parents get jobs at Mr. Malatesta’s carnival running a midway games booth. But they are really part of the traveling show circuit under incredibly false pretenses. Vena’s brother disappeared one night while visiting the evil attraction, and his kinfolk are convinced they can discover what happened to him by scamming teenagers out of their allowances. What they do learn is pretty strange indeed.
Suzanne, a single parent and succesful lawyer, returns home to find her daughter missing. About to call the police, she is confronted by a disembodied voice warning her that if she attempts to leave or seek help, her daughter will die. Suzanne discovers she is being monitored through surveillance cameras operated by the tyrannical voice. The voice informs her that in order for her daughter to live, Suzanne must commit suicide. In a race against time Suzanne must think of a scheme to get a message to the outside world…
Surviving the plane crash was only the beginning … After their plane crashes into uncharted territory in the Himalayas, the survivors set out to find help in the freezing cold. As the days pass and with no sign of a rescue, tensions begin to mount. The survivors wrestle with their consciences as they realise that in order to survive, they must use the bodies of the dead as food. But when it appears that something else is already feeding upon the dead, the survivors realise that their biggest danger is not hunger but something infinitely more sinister: a legendary Yeti is stalking them and is moving in for the kill. Can they outsmart the beast or will they die trying?
An aspiring writer is repeatedly gang-raped, humiliated, and left for dead by four men whom she systematically hunts down to seek revenge.
