A vision of Colombia’s inhuman armed conflict, seen through the eyes of a young – and pregnant – girl soldier.
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The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jake’s Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and “Northern Exposure” (1990). Set in the real town of Jake’s Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, it’s a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jake’s Corner Bar. Through the years, this cast of misfits has become closer than most families – they are kin. The dynamic of the town is changed forever when Johnny’s young nephew comes to live with him.
The story about the friendship between two women, family problems and difficult childhood.
Barabbas or Jesus Barabbas (literally “son of the father” or “Jesus, son of the father” respectively) is a figure in the account of the Passion of Christ, in which he is the insurrectionary whom Pontius Pilate freed at the Passover feast in Jerusalem, instead of Jesus Christ.
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
Samuele is 16 and has a passion for skateboarding. He has big dreams: going to university, move to California, and travel, but things change when he meets Alice, who could be the girl of his life.
Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
White Water is the story of a 7 year-old black kid in segregated 1963 Opelika, Alabama who becomes obsessed with the desire to taste the water from the “white’s only” drinking fountain and sets out on a quest to do the unthinkable: drink from it.
A young woman repressed the memory of having killed someone when she was twelve years old. Thirteen years later that memory comes back.