Mona, a prisoner on work release, meets Clément, a shy actor. Desperate to impress Mona, Clément recruits his extroverted friend, Abel, to help. When Mona becomes more interested in Abel, it sets off a conflict between the two friends. Meanwhile, Mona attempts to keep her past hidden.

Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder.

Two members of the Chinese Ministry of Foreign Affairs are tasked with the evacuation of Chinese citizens when war breaks out in Numia, North Africa.

David Hare’s account of a one-time French freedom fighter who gradually realizes that her post-war life is not meeting her expectations.

Facing financial uncertainty and entering middle age, a married couple in their early thirties contemplate whether it’s the right time to have their first baby.

Paresan-worker Joel notices Rose, the girl always receiving and sleeping with different guys at the house across the food stall. He soon starts to fantasize about Rose and does all he can to get a taste of her.

Two’s company, three’s allowed? From family disputes and unexpected babysitting duties to uncomfortable high school memories, manga drawing and friendships pushed to the next level – the Male Gaze series lifts the lid on six very different gay relationships and encounters. When two become three and outsiders enter the fray, what are the group dynamics at play? The short films are: Golden Boys (2017); In Beating Cells [In Pocheden Zellen] (2017); The Middle of a Lake [Le milieu d’un lac] (2017); Gilles (2016); Kiko’s Saints [Les saints de Kiko] (2019); With Thelma [Avec Thelma] (2017).

After their late former Captain is framed, Lowrey and Burnett try to clear his name, only to end up on the run themselves.

Since Charlie is no longer there, the lives of Boris, Elie, and Maxime have been torn apart. These three men, who have nothing in common, all shared one thing: their love for Charlie. One loved her like a sister, one loved her like the woman of his dreams, one loved her like a friend. Except that Charlie is dead and none of them – not Boris, an accomplished businessman, not Elie, a night owl scriptwriter, and not Maxime, still living at home with his mother – know how to deal with it. But because she asked them to do so, they abruptly decide to undertake a journey together, heading for Corsica and the house that Charlie loved so much. Except that here they are stuck in a car together for over 500 miles. It’s going to be a long journey. Boris, Elie and Maxime, three men, three generations, no affinity. But by the time they arrive at their destination, they will have realized one majorly important thing: Charlie has changed their lives forever.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.

Michael Velayudham (Pawan Kalyan) is a chef specialized in Italian cuisine in Cape Town. He falls in love with Meera Sasthri (Trisha) – another Indian staying in Cape Town. Meera is a restoration specialist and she is moving to India. Since it is not possible to continue the relationship across the seas, they bid good bye to each other. Michael finds a local white girl (Danah) in Cape Town and Meera finds a local politician (Sonu Sood) back in India. The rest of the story is all about how their true love unites them despite them being so casual about their relationship. There is also another story dealing with Arjun Palwai (Pawan Kalyan) that runs parallel with a time difference of 30 years in Waranasi.

A feature documentary about Jackie “Moms” Mabley, an African-American stand-up comic and show-biz pioneer who emerged from the Chitlin’ Circuit of African-American Vaudeville to become a mainstream star. Once billed as “The Funniest Woman in the World,” Mabley pushed the boundaries of comedy by tackling topics such as gender, sex, and racism and performed up until her death in 1975. A true passion project for first-time director Whoopi Goldberg, the documentary shows Mabley’s historical significance and profound influence as a performer vastly ahead of her time.