Tristan Guttridge wants to prove that hammerheads are eating other sharks.

Morgan Spurlock (Super Size Me) tours the Middle East to discuss the war on terror with Arabic people.

“It’s the story of the people who escape to the alternative reality of being a football manager, and the effect this has had on their lives. It’s also the story of how a computer game made by football fans has become a part of the world it set out to replicate.” – Miles Jacobson

A cutting-edge journey into the taboo world of male stripping. Dive into the lives of men who work at America’s only all nude, all male, a gay strip club located in the heart of The Bible Belt.

For fifty years, former U.S. Attorney General Ramsey Clark has challenged the abuses of U.S. power and championed the causes of human rights.

In this documentary Istanbul is unveiled and the real Istanbul is shown by way of the back door, the philosophy behind the culture is revealed.

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.

In late eighties, in Ceausescu’s Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event

Alexandra came to help her mother, a newspaper sales woman, in a kiosk located in a wealthy area of Paris. From the discovery of the job to the intimacy built with the customers, the film deals playfully and generously with a number of issues, not least the media’s publishing crisis. A whole world enters this little space.