Rob Reiner profiles Albert Brooks, comedic legend, acclaimed filmmaker, talented character actor and a lifelong friend, who Reiner first met in their high school drama club.
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This is the story of Dame Barbara Windsor, the Cockney kid with a dazzling smile and talent to match. Preparing to perform in the theatre one cold evening in 1993, the cheeky, chirpy blonde Babs recounts the people and events that have shaped her life and career over fifty years from 1943 to 1993. She contemplates her lonely childhood and WWII evacuation, her decision to go from Barbara Ann Deeks to Barbara Windsor – inspired by the Coronation of Queen Elizabeth II, her complicated relationship with her father, her doomed marriage to Ronnie Knight, capturing the attention of Joan Littlewood and becoming the blonde bombshell in the Carry On films. Babs, ever the consummate professional, never lets her fans down whatever her personal anguish and steps on the stage to rapturous applause.
A swirling, impressionistic portrait of an artist who regretted nothing, writer-director Olivier Dahan’s La Vie en Rose stars Marion Cotillard in a blazing performance as the legendary French icon Edith Piaf. From the mean streets of the Belleville district of Paris to the dazzling limelight of New York’s most famous concert halls, Piaf’s life was a constant battle to sing and survive, to live and love. Raised in her grandmother’s brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee (Gerard Depardieu), who persuaded her to sing despite her extreme nervousness. Piaf became one of France’s immortal icons, her voice one of the indelible signatures of the 20th Century.
Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.
The film chronicles the rise and fall of the world’s most feared drug lord Pablo Escobar and his volatile love affair with Colombia’s most famous journalist Virginia Vallejo throughout a reign of terror that tore a country apart.
It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…
Documentary examining what happens to some of the biggest names in the history of the adult entertainment industry after they leave the business and try and live “normal” lives.
Join the New Horizons team to examine the latest findings and imagery from Pluto and the fringes of our solar system. They reveal a world unlike any other we’ve seen yet.
Gay civil rights activist Bayard Rustin helps Martin Luther King Jr. and others organize the 1963 March on Washington.
Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail through the dense jungles of Vietnam, Laos, and Cambodia. Their goal: to reach the site where Rebecca’s father, a U.S. Air Force pilot, was shot down in Laos more than 40 years earlier.
Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.
