The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
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Groundbreaking director Mamoru Oshii continues to push the boundaries of art and anime with this universally acclaimed cyber thriller following cyborg detective Batou as he tries to unravel the reasons for a murderous robot revolt in the year 2032. A quest for a killer that becomes a mind bending search for the meaning of life.
A snapshot of a man whose many vices are actively getting the best of him and a collection of observations, interesting experiences, and sexual embarrassments from two years of non-stop touring
Documentary – War zone borders, engine trouble and the difficulties of making money to survive couldn’t outweigh the thrill of adventure and discovery Daniel Rintz encountered while motorcycling around the world for two and a half years.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver’s license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The story recounts the early life of Genghis Khan, a slave who went on to conquer half the world in the 11th century.
As the unabashed cradle of Hollywood superficiality and smoggy urban sprawl, Los Angeles has long been condemned as a cultural wasteland. In the richly penetrating documentary odyssey City of Gold, Pulitzer Prize-winning food critic Jonathan Gold shows us another Los Angeles, where ethnic cooking is a kaleidoscopic portal to the mysteries of an unwieldy city and the soul of America.
Drama set in 1942, during one of the most important battles of World War II, which stopped the progress of Nazi forces and turned the tide of war in favor of the Allies. The Soviet army mounts a counter-attack on the Nazi forces that occupy half of Stalingrad on the other side of the Volga, but the operation to cross the river is unsuccessful. A few soldiers who managed to get to the other side take refuge in a house on the bank of Volga. Here they find a girl who didn’t escape when the Germans came. While the whole might of the German army descends onto them, the heroes of Stalingrad experience love, loss, joy and the sense of ultimate freedom that can only be felt by those about to die. They defend the house at all costs while the Red Army prepares for another attack.
Horror anthology consisting of three episodes directed by Jörg Buttgereit, Andreas Marschall and Michal Kosakowski.
It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.
Two mismatched entrepreneurs – egghead innovator Mike Lazaridis and cut-throat businessman Jim Balsillie – joined forces in an endeavour that was to become a worldwide hit in little more than a decade. The device that one of them invented and the other sold was the BlackBerry, an addictive mobile phone that changed the way the world worked, played and communicated. But just as BlackBerry was rising to new peaks, it also started losing its way through the fog of Smartphone wars, management indecision and outside distractions, eventually leading to the breakdown of one of the most successful ventures in the history of the tech and business worlds.
