The Dutch supervillain Freek van Dyk is keeping the world on tenterhooks – and the world’s best secret services can only stand by and watch. Finally, the Turkish Ayran Secret Service intervenes. However, there is a mix-up, because after two of the ASS men are eliminated, ASS head Süleyman is looking for a “Süper agent” and mistakes the clueless Indian cleaner Ranjid for one. He actually just wants to cure his sick cow, but suddenly has to save the world.
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Oliver Fellows, a failed city banker, is pursuing fulfillment on an old farm in Southern Portugal. He and his neighbor, Manel, face unprincipled enemies in a highly amusing quest to save their valley from exploitation.
Eddie lands his first teaching gig at an inner city middle school and finds his highly pubescent pupils are receiving no form of sexual education. Eddie isn’t really equipped to teach them…he’s not exactly experienced romantically.
Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out.
1987. Denver, Co. One crazy night in the life of four friends reeling from the sudden demise of iconic British band The Smiths, while the local airwaves are hijacked at gunpoint by an impassioned Smiths fan.
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other’s stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
A cranky middle-aged dad and his two best friends find themselves out of step in a changing world of millennial CEOs and powerful preschool principals.
10 years after “Marrying the Mafia 1”. The three J’s established an architecture company and have become well-known business. They hold pens instead of fists in their hands but things still happen around them and now even bother their children.
When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
A tale of outsized ambition and outrageous excess, tracing the rise and fall of multiple characters in an era of unbridled decadence and depravity during Hollywood’s transition from silent films and to sound films in the late 1920s.
After seeing the initial passion and romance fade into a series of routine and boring relationships, Alexandre (Vincent Perez) concludes that romance ends when sex enters into a relationship. Determined to prevent this from happening with his latest love-interest—a sexy young woman named Fanfan (Sophie Marceau)—he decides that platonic love is the solution. Despite the wonderful, romantic, and inventive ways Alexandre finds for them to spend time together, Fanfan is left disappointed by his refusal to make love to her. Their exciting relationship becomes jeopardized by Alexandre’s unwillingness to change his new approach to love.
