Two young girls, Mitsu and Natsuko, share the same apartment. Natsuko is Lesbian and secretly in love with Mitsu. But Mitsu is heterosexual and has a boyfriend. In the hope of destroying the relation between Mitsu and her boyfriend, Natsuko seduces the boyfriend and also tries to influence him in other ways.
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Made by Carlton Television for ITV (UK) , this adaptation of Laurie Lee’s autobiographical novel follows a young man’s maturation in the country town of Gloucestershire near the end of World War I. As young Laurie (Dashiell Reece) comes of age under the protective eye of his mother (Juliet Stevenson), he learns to live with an eccentric collection of friends, neighbours, and relatives. As he enters his teenage years, Laurie (now played by Joe Roberts) discovers women, specifically Rosie Burdock (Lia Barrow). Veteran screenwriter John Mortimer adapted Lee’s book, with Lee narrating.
Doc Jenkins is a singer/songwriter who tries to leave his singer/songwriter roots to be a music “mogul”, and gets tangled up in a bad publishing deal. He enlists a team of cronies, including a young singer and his former singing partner, Blackie Buck, and together they execute his plan to get out of the deal. He gets help from a stereotypical small-time concert promoter. Honey Carder is the love interest/ex-wife.
A beautiful housekeeper becomes a romantic attraction to a widower and his three sons.
Selfish Chris Teller pressures his older brother, a retired climber, to accompany him on a treacherous Alpine climb to loot the bodies of plane crash victims.
After the death of Rini’s mother, something is disturbing her family.
A doll living in ‘Barbieland’ is expelled for not being perfect enough and sets off on an adventure in the real world. A Live-action feature film based on the popular line of Barbie toys.
Two families bond when their teenage sons are killed in an explosion at a suburban mall only to discover one of their children is the prime suspect.
Three prostitutes live in the wasteland by the sea, where a village of outcasts has emerged. It is life in a harsh reality of poverty, ignorance, and violence. And the only ray of light in their lives is Arturo, whom they care for together. The young man is a weak-minded child in an adult body. His mother died in childbirth, and the women took him into their care as a newborn. What will the fate of this young man be in an environment he has not chosen and cannot choose because of his disability?
A panic attack causes Millie to miss her flight to New York. Everyone thinks she’s made it though, thanks to her fake Instagram posts from the “Big Apple”. A tragicomic hunt for a new ticket ensues, as she attempts to beat the clock, her fears and the truth.
Mason Storm, a ‘go it alone’ cop, is gunned down at home. The intruders kill his wife, and think they’ve killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger – himself, his son, his best friend, his nurse – but most of all those who arranged for his death
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl’s diptych about the inescapability of the past and the pain of finding yourself.
