A brilliant but clumsy high school senior vows to get into her late father’s alma mater by transforming herself and a misfit squad into dance champions.

When Joy Pride, a groovy 70s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. It’s based on the premise that no matter who dies, we always find a way to make it all about us.

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

The story behind a critical moment in American history, spawning one of most iconic images of protest from the past century. At the 1968 Summer Olympics in Mexico City, the world watched as two American runners, Tommie Smith and John Carlos, took the stage as the U.S. national anthem played, raising their fists in a symbol of black struggle and solidarity.

A feature documentary about the life of Lenny McLean, as seen through the eyes of his only son, Jamie.

Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.

Narrated by Benedict Cumberbatch, Walk With Me is a cinematic journey into the world of a monastic community who practice the art of mindfulness with Zen Buddhist master Thich Nhat Hanh.

A “rockumentary”, covering the rise to fame of MC Gusto, Stab Master Arson, and Dead Mike: members of the rap group “CB4”. We soon learn that these three are not what they seem and don’t apear to know as much about rap music as they claim… but a lack of musical ability in an artist never hurts sales, does it? You’ve just got to play the part of a rap star…

Les Blank’s portrait of the great Texas bluesman, ‘Lightnin’ Hopkins. The film includes interviews and a performance by Hopkins.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

A movie that starts out with the “Man in the Mirror” music video, it then changes to a montage of video clips of Michael’s career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are “Smooth Criminal” and “Come Together”.

Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?